L’impianto esistente era frazionato in spazi regolari e connessi tra loro da corridoi, secondo un’impostazione tipica genovese.
L’ingresso è una bussola che accoglie il visitatore, spazio ben definito, ma che funziona da vero e proprio atrio di sospensione tra la zona notte e la zona giorno.
La conversazione tra il nuovo contemporaneo e il vecchio stile si denota soprattutto nella zona soggiorno. I cui soffitti hanno traccia degli eleganti stucchi in contrapposizione a lineari innesti di colore tenue.
L’articolazione dello spazio è fluida, grazie al parquet rovere e la luce che penetra i diversi spazi, armoniosamente come ad accarezzare i muri.
La zona notte è quella più riservata, nascosta come dietro una quinta e ben definita dai suoi spazi di servizio. Le camere da letto sono ariose e affacciano sul Castello D’Albertis, i due bagni, per gli ospiti e padronale, riflettono un carattere molto deciso ma allo stesso tempo morbido.
----
The existing planimetry was divided into regular spaces and connected by corridors, according to a typical Genoese approach.
The entrance is a box that welcomes the visitor, well-defined space, but that works as a real atrium of suspension between the sleeping area and the living area.
The conversation between the new contemporary and the old style is most evident in the living area. The ceilings have traces of elegant stucco in contrast to linear grafts of soft color.
The articulation of the space is fluid, thanks to the oak parquet and the light that penetrates the different spaces, harmoniously as to caress the walls.
The sleeping area is the most reserved, hidden behind a theatrical stage and well defined by its service spaces. The bedrooms are airy and overlook the Castle D'Albertis, the two bathrooms, for guests and mistress, reflect a very decided character but at the same time soft.
The entrance is a box that welcomes the visitor, well-defined space, but that works as a real atrium of suspension between the sleeping area and the living area.
The conversation between the new contemporary and the old style is most evident in the living area. The ceilings have traces of elegant stucco in contrast to linear grafts of soft color.
The articulation of the space is fluid, thanks to the oak parquet and the light that penetrates the different spaces, harmoniously as to caress the walls.
The sleeping area is the most reserved, hidden behind a theatrical stage and well defined by its service spaces. The bedrooms are airy and overlook the Castle D'Albertis, the two bathrooms, for guests and mistress, reflect a very decided character but at the same time soft.
Incarico/ role
progetto preliminare/ preliminary design
progetto definitivo/ detailed design
esecutivo e direzione lavori/ construction menagement
Collaboratori/ collaborators
Vittorio Massaro
